记忆迷宫

简介：中山狼妻子Ryann与克里斯勾结，制造科研室袭击案，抓走R博士，企图逼迫R博士交出“SR”病毒抗体数ccc。赏金猎人安志杰接受委托寻找R博士下落，刚出狱的康成浩亦为寻找失踪妻子下落，利用与蛇头文的交情，冒险潜伏在克里斯集团。各方势力纠集交织，一场人性善恶、惊心动魄的大战一触即发。

简介：《妈妈别哭》是继《熔炉》之后又一部韩国现实主义力作，入围了第17届釜山电影节的广阔镜单元。　　本片改编自现实中“得知女儿因为被男学生们强暴而自杀的妈妈亲自为女儿报复”的残忍故事。　　刚和丈夫离婚准备重新出发的刘琳（柳善 饰）在告别不幸婚姻后原本打算带着刚升为高中生的唯一女儿 柳银雅（南宝拉 饰）重新开始。两人相依为命过着简单平静的生活。但不幸从天而降，银雅竟然选择在自己生日的那天自杀，这也摧毁了刘琳最后的精神支柱。某天，她通过银雅的同学赵翰（申东浩 饰）知道了女儿惨死的真相：在学校遭到多名男同学的强奸，加害者却因未成年人的身份免于受到处罚，对这一结果无法承受的银雅选择了自杀。此后，刘琳受到了前所未有的打击，再不相信法律的她决定无论用何种方法，自己来帮女儿报这个仇，并驱使着她一步步走向无法挽回的结局......

简介：武林盟主俞放鹤，声望极高。惟对名利甚为淡薄，欲退出武林。某夜，武林高手夜袭俞宅，俞放鹤中毒，其子俞佩玉目睹父亲中毒身亡，哀伤至极。俞佩玉悲愤出走，欲寻找仇家。然而此刻俞放鹤已被拥为武林盟主，俞佩玉不相信此一事实，仍然继续其行程。途中为武林高手屠杀，而误入杀人。...

简介：七品锦衣卫小旗官——高宣，受锦衣卫指挥使陆万通暗命，刺杀出访大明、准备和谈的也先使臣。刺杀成功，复命之时，高宣居然被陆万通带人追杀，重伤落水，成为一具“尸体”。使臣被杀一事一出，负责和谈的大学士云川被牵连入狱。大理寺卿李维坚信背后必有曲折，请求代宗准许调查，并争取到十天的破案时间。十日后凶手未捕，则云川问斩，李维自请归田。高宣落水后被人所救，临走前将随身物品，相赠恩人，不料被锦衣卫发现，给恩人带来杀身之祸。高宣决心进京复仇，路上和一神秘女子云梦瑶意外联手，情愫暗生。殊不知， 更大的圈套在等着他们......

简介：芽籠，店屋林立，食肆縱橫，更以其內五光十色的紅燈區聞名。一個彷彿沒有盡頭的夜，醫師、妓女、香菸販、政客、龜公，來自不同階層、互不相識的五人，各自為情為權為利，上演一連串陰差陽錯的追逐與殺戮。命運交織，沒有黑白對錯，只有利益爭鬥，五人五色，折射出社會縮影。導演鄺子君以交錯迷離的新黑色電影，攜手李國煌，直探新加坡紅燈區不為人知的人性祕密。

简介：根据马修·蒂格为《时尚先生》杂志撰写的获得国家杂志大奖的文章改编，布拉德·英格尔斯比操刀该剧本。故事讲述在得知伴侣妮可(约翰逊饰)只有六个月的生命后，马修(阿弗莱克饰)意外地得到了他们最好朋友(席格尔饰)的支持。他搬到了他们家，暂时搁置了自己的生活。…

简介：《十分钟年华老去 大提琴篇》的姊妹篇，由七位知名导演各自执导摄制而成，共同讲述发生在短暂十分钟里的人情冷暖。　　《狗没有地狱》里刑满出狱的男人带着女友一起远走故乡莫斯科，是坚贞的爱情与灵魂的回归；《生命线》中由呱呱坠地的新生儿讲起，平静安详；《几千年前》讲述的是现代文明带给原始部落的冲击跟入侵；《国际组织·拖车·夜晚》借休息的女演员视角，透视着大千世界里的形形色色；《距离托那12英里》是挣扎在生死线上的宝贵十分钟；《我们将被掠夺》发生在戈尔竞选总统失败的最后十分钟里；《百花深处》向我们讲述一段“模拟搬家”的荒唐闹剧。

简介：A group of insane asylum inmates flee a broken-down bus and occupy a nearby farmhouse. As they form a collective threaded by bizarre exercises and slapstick setups, the film spirals out into a freewheeling comedy of disorder, told with unusual verve and intensity, and featuring a dissonant, if deranged, soundtrack by free jazz innovator Ornette Coleman and his trio.

简介：《家门荣耀4：家门危机》讲述的是在从黑道组织金盆洗手，改行做食品业的洪会长一家为了重振家族的凝聚力，特地召开了一次家族会议，全家人还展开了首次海外旅行，在旅行的过程中发生了一连串充满险情却又令人捧腹的故事。

简介：目前蘇導演規劃中的首部劇情長片，是以1994年文化大學美術系罷課事件為背景的《青春並不溫柔》，該提案入選2018年台北電影節與法國南特三洲影展合辦的南特國際提案工作坊（Produire au Sud）及東京新銳營(Talents Tokyo)，正積極籌製中。

简介：Claire今年17岁了。她和她的家人一起在南非度假，但是她的家人突然在一场意外中消失了。她因为命运而逃脱了这场悲剧。一切翻天覆地，她被认为是她家人的死的凶手，于是她逃跑了并决定从此以后听天由命。在她的流浪奇遇的过程中，她燃烧了自己的生命，拥有掌握自己的命运的力量。

简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.