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宽恕与原谅
7.0 |04月11日 |已完结
简介:
维克多(Paul Blain 饰)和妻子安妮特(Marie-Christine Friedrich 饰)结婚多年,两人共同养育着女儿帕梅拉(Victoire Rousseau 饰),一家人住在风景如诗如画的维也纳,日子平静之中充满了幸福。然而,让安妮特没有想到的是,维克多竟然沾染上了毒品,整日和毒贩们厮混在一起。  回到巴黎后,维克多不仅没有改邪归正,反而变本加厉,一个幸福美满的家庭眼看着就要毁于一旦。在发现维克多不可能改变后,安妮特果断的带着帕梅拉离开了家,两人相依为命,隐姓埋名的生活着,一晃眼就是十一年过去。彼时的帕梅拉已经成长为了亭亭玉立的大女孩,童年时代不幸的经历让她对父亲充满了愤怒和怨怼。当帕梅拉得知自己的父亲依然活着,并且就和自己生活在同一个城市后,她决定去见一见他。
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总路线
238
4.0
已完结
总路线
4.0
更新时间:04月11日
主演:Marfa Lapkina,M. Ivanin,Konstantin Vasilyev
简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
676
1929
总路线
主演:Marfa Lapkina,M. Ivanin,Konstantin Vasilyev
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