不良后果

简介：Tom of Finland 的同志情色插画，相信不少人都欣赏过。硕大的肌肉、壮阔的广膊、下体大大的一包，连黑色的皮裤都遮盖不住。电单车、制服、一组组激情动作连环图，教一代代同志血脉沸腾。这是 Tom of Finland 的 传记故事。他本来是一名军官，二次大战时为国家拼死奋战。战后回到芬兰，却因为同志的身份，处处受到歧视和打压，只好寄情艺术，画下一幅幅解放性爱的情色插画，影响力冲出国际，推动了一代同志的性解放，忠于自己，悍卫同志的权利。

简介：萨马尔•阿南德少校（沙鲁克•汗 Shahrukh Khan 饰）是个排雷防爆的专家，在军队中保持着自己的拆弹记录。他每天的工作穿梭于生死边缘，坦然面对生死的他却从不穿防护设备。意外救下了少女阿琪拉•拉耶（安努舒卡•莎玛 Anushka Sharma 饰），遗留的日记本里记忆的爱情故事让这个女孩对萨马尔深深着迷。利用探索频道实习生的身份，阿琪拉对萨马尔进行为期两周的故事记录，渐渐的，她深入到了萨马尔的故事中。原来十几年前的穷小子萨马尔在伦敦做流浪歌手偶遇了富家女米拉•塔帕尔（卡特莉娜•卡芙 Katrina Kaif 饰），用其美妙的歌声打动了她的心。已经订婚的米拉无可救药的与他相爱了。然而虔诚的基督徒米拉却在萨马尔遭遇一次车祸后向神祈祷如果他能活下来，就永不再见面。存活下来的萨马尔因此失去了心爱的米拉，为此他向神挑战，要么让他死去，要么让米拉回到她的身边。就这样，萨马尔回到了印度，开始了枪林弹雨的危险军旅生活。然而2012年他为了阿琪拉的纪录片再次回到伦敦再次遭遇车祸，失忆将心爱的米拉再次推回到了他的生活中…　　该片是被誉为“宝莱坞浪漫爱情片之父”的导演雅什•乔普拉的遗作。

简介：五年前犯案时失手，三兄弟中Toro锒铛入狱， 一人丧命，另外Antonio失踪。出狱一刻Toro决定远离过去，重新做人，但Antonio带同他的小女儿突然现身，原来欠下黑帮大佬巨款，要求协助。三人被迫开始一段危险的逃亡之旅，直至走投无路，兄弟和解，合力与敌人拼过！

简介：梅根（瑞秋·斯盖顿 Rachel Skarsten 饰）拥有着令人羡慕的幸福生活，她和丈夫托马斯（布兰特·道格尔迪 Brant Daugherty 饰）之间的感情非常的恩爱，两人共同抚养着可爱乖巧的孩子，享尽了天伦之乐。梅根再也没有想到的是，有一天，她拥有的这一切都变成了泡影。　　某日，当梅根醒来之时，发现自己仿佛穿越到了平行世界的另一段人生里。在这段人生中，她还没有结婚，甚至都不认识托马斯，孩子自然也无从谈起。当梅根想尽了一切方法都无法回到她原本的生活中去后，她选择了向现实妥协，并且找到了一份工作。然而，仿佛是上帝开了一个玩笑，梅根的新上司不是别人，正是托马斯。

简介：清晨，白雪覆盖的山区，一对以色列士兵正在营房附近挖掘土坑掩埋大量腐败的食品。队长尤斯（Ohad Knoller 饰）与战士里奥外出巡视，里奥长相俊美，同袍们用某位明星的名字——积加（Yehuda Levi 饰）来称呼他。尤斯与积加是一对秘密的同性恋人，他们很快把巡逻变成了一场雪地中的约会，即将退伍的积加把将来的旅行计划透露给尤斯……军官祖路带同两名女兵高迪与叶莉来到营房，布置了当晚的伏击任务，军人们吃过了匆匆拼凑的午餐，席间有人说着同性恋的笑话。叶莉属意积加但一直没有表白，熟悉内情的战士试图提出警告以便接近叶莉却没有收效。傍晚时分，小分队出动执行任务，夜色中突发的交火带来了悲伤的结局……　　本片根据真实故事改编，获2003年米兰、都灵国际同性恋电影节观众奖等褒奖。

简介：伍迪·哈里森自编自导自演新作《迷失伦敦》取得新进展，欧文·威尔逊和威利·纳尔逊确定加盟。据悉，影片将会在明年一月中下旬投入拍摄。哈里森将在片中饰演一位努力与家人团聚的角色，然而事不遂人愿，来自多方的重重压力阻碍着他重新回归家庭的路。

简介：本片改编自一个真实的银行抢劫案。2006年，一群盗贼抢劫了位于阿卡苏索的里约热内卢银行，这被认为是历史上最著名、最聪明的银行抢劫案之一。他们抢劫银行所采用的方式和在那之后发生的一系列事情都让人惊讶不已。

简介：讲述一个杀手（乔·曼根尼罗 Joe Manganiello 饰）、杀手的老板（塞缪尔·杰克逊 Samuel L. Jackson 饰）和一个艺术商人（乌玛·瑟曼 Uma Thurman 饰）的故事：一场洗钱阴谋意外地让这个名叫Reggie的杀手一夜成名，成为艺术界的当红先锋人物The Bagman，为此他不得不让艺术世界与地下犯罪世界对上了。

简介：影片是台湾同时期乡土文艺电影中的一部优秀的代表作，虽说质地在如今看起来已然不能同日而语，但在当时的台湾电影界里，还是具有相当强烈的创作影响。由于正值台湾国民党当局开展净化道德运动，鼓励政宣剧本创作，乡土文艺片则开始抬头，以民族和睦、理解、互通的面貌呈现给大众，虽然这三点在当时实现起来根本就是无稽之谈，但影片所流露出来的浓郁的人文关照，还是给予人们诸多心理填充。在八十年代初期，陈坤厚与侯孝贤联袂创作的《就是溜溜的他》、《在那河畔青草青》等电影，都是改编自同样或类似的题材，本片对台湾乡土电影的创作影响由此可见一斑

简介：A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.

简介：故事讲述在庙里跳八家将的米淇希望寻找失联的爸爸，热爱跳舞的庙会钢管辣妹晶晶则找寻失联的爱人，藏有心事的两个高雄女孩结伴同行出发到广州，各自找寻心之所向。

简介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.