父女情深

简介：中年男子海克特（Karra Elejalde 饰）和妻子克莱拉（Candela Fernández 饰）搬到郊外一幢别墅居住，他用望远镜观察四周的景物，却意外看到一个正脱去衣衫的妙龄女子。海克特心感疑惑，决定前往女子出现的灌木丛中查看一番，结果遭到一个手持尖刀、全身缠满绷带的男子的追杀。海克特仓皇之中逃入一所空旷的实验室内，并在其中的大水槽内躲了起来。次日，当海克尔回到家时，却看到另一个自己正和妻子搬家具，他不知不觉穿越时空来到了一天前。原来水槽是一个时空机器，海克特的命运无意间发生了改变……　　本片荣获2008年阿姆斯特丹奇幻电影节黑郁金香奖、2007年奥斯汀奇幻电影节新浪潮奖。

简介：本片探讨七个大学室友从1960年代起的成长经历。大学毕业後，大家各奔前程，有的成为企业巨子，有的成为八卦报新闻记者，有人成为电视台星探、有的成为药商、有的则当了医生、有的成为律师、也有人成为家庭主妇。这次，在一个朋友的葬礼上，他们再次聚首，重新审视自己的人生。

简介：为了拯救关门大吉的歌剧院，在歌剧院长大的女孩肯德尔让风尚合唱团的成员重新团聚，并且在她们最初的舞台上做一场圣诞表演。

简介：琉璃子（中谷美纪 饰）是一名泰迪熊艺术工作者，她与在IT公司上班的丈夫聪（大森南朋 饰）结婚三年有余，虽然是众人艳羡的一对模范夫妻。但实际上，这对幸福搭档却彼此过着同床异梦的生活。那种不说破的隔膜持续了整整两年：白天，聪去公司上班，而琉璃子在家制造泰迪熊；晚上，聪回到自己房间玩各种游戏，琉璃子有事叫他得依靠手机。更重要的是，彼此之间夫妻生活几乎被省略，各自在外面有秘密情人，并且想方设法编织着各种小谎言以维持真挚、甜蜜的夫妻关系。两人似乎都意识到了问题的严重性，但是这种剥离肉欲的纯粹精神关系又在琉璃子的细心打理下，变得如此坚固。这种橡皮婚姻的结局会怎样呢……　　本片根据日本女作家江国香织的同名作品改编。

简介：这是一部极为出色的关于人与自然的电影。1902年和1907年，沙俄军官阿尔谢尼耶夫两次率领勘探队到乌苏里地区探险，都巧遇赫哲族老猎手德尔苏·乌扎拉。德尔苏.乌扎拉为勘探队充当向导，并挽救了阿尔谢尼耶夫的生命，与之建立了深厚的情谊。德苏对大自然相当了解与尊重，藉由他的示范 与见解，让人们了解大自然的伟大与残酷，人是可以与大自然和平相处，但当大自然被破坏时，人们将是第一个遭殃。　　德苏是一个神枪手，但后来在一次打猎时，德苏发现自己的眼睛因为身体衰老而退化，看不清猎物了，十分沮丧。他随阿尔谢尼耶夫到大城市伯力居住。但是，城市文明德苏却无法习惯，城市和他过去赖以生存的地方，那片纯朴的自然大地是完全不同的。猎人离开枪，离开了他所熟悉的环境，仿佛鱼儿离开了水。“城里没法狩猎，不狩猎就没有貂”“我突然想念空气。”他象是被囚禁了一般，闷闷不乐。德苏执意回到山里，回到那片密林。但是，猎人没有好的视力，便是最大的悲剧。猎人不能猎杀，自己便被会猎杀。勇敢的德苏虽然带着阿尔谢尼耶夫送给他的新猎枪，但是他却死了……

简介：Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business drug dealers. Going against the plan, the two spend the night partying, allowing the molikan.com audience to see that, in a certain light, the bad guys weren't really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that's filled with Germans, Jesus, banjos, bongos, beers, and bongs.

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简介：通过讲述民国时期丁文江先生传奇的一生的几个重要节点，塑造一名以科学救国、实业救民为己任，严于律己坚毅严谨的爱国知识分子的光辉形象。故事从1936年，丁文江湖南谭家山煤矿考察粤汉铁路煤炭情况时因煤气中毒为开端，以病榻回忆作为故事线索，串联几个丁文江人生中的重要时刻，讲述丁文江一生事业与治学的理念和经历。

简介：24小时停火。Falludscha局势是毁灭性的没有食物,没有药物,没有帮助,最终一群五人组的计划帮助他们争取无助的生活。

简介：电影根据残奥冠军苏桦伟真人真事改编。苏桦伟生来因黄疸病导致脑痉挛，无法正常站立行走。而苏妈（吴君如 饰）没有放弃，不仅帮助儿子站了起来，还发掘了他的跑步天赋，直到苏桦伟被残障田径队选中，夺得残奥会冠军并打破世界纪录，这对神奇母子的热血励志传奇开始家喻户晓。

简介：影片是台湾同时期乡土文艺电影中的一部优秀的代表作，虽说质地在如今看起来已然不能同日而语，但在当时的台湾电影界里，还是具有相当强烈的创作影响。由于正值台湾国民党当局开展净化道德运动，鼓励政宣剧本创作，乡土文艺片则开始抬头，以民族和睦、理解、互通的面貌呈现给大众，虽然这三点在当时实现起来根本就是无稽之谈，但影片所流露出来的浓郁的人文关照，还是给予人们诸多心理填充。在八十年代初期，陈坤厚与侯孝贤联袂创作的《就是溜溜的他》、《在那河畔青草青》等电影，都是改编自同样或类似的题材，本片对台湾乡土电影的创作影响由此可见一斑

简介：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye.　　It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.　　And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).　　Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.　　And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.