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卢斯
440
1.0
已完结
卢斯
1.0
更新时间:04月11日
主演:娜奥米·沃茨,奥克塔维亚·斯宾瑟,蒂姆·罗斯,小凯文·哈里森,诺尔贝特·里奥·布茨,玛莎·斯蒂芬妮·布莱克,亚斯特罗,克里斯托弗·曼恩,苏利芒·西尔·萨瓦内,阿曼达·特罗亚,费斯·洛根,Andrea Bang,Omar Brunson,Noah Gaynor,伊恩·安特曼,亚历克斯·佩雷斯
简介:艾米(娜奥米·沃茨 Naomi Watts 饰)和皮特(蒂姆·罗斯 Tim Roth 饰)是一对富有而又善良的中产夫妻,十年前,他们领养了来自非洲战乱国家厄利垂亚的一位名为卢斯(小凯文·哈里森 Kelvin Harrison 饰)的男孩,卢斯曾经被作为童兵而接受了非常残酷的军事训练,艾米和皮特坚信,良好的教育和包容的爱能够帮助他找回自己善良的本性。  一晃眼十年过去,卢斯无惊无险的成长为了一位正直有为的少年,过去在他身上刻下的烙印已经很淡了。卢斯的非裔老师哈雷特(奥克塔维亚·斯宾瑟 Octavia Spencer 饰)非常欣赏这位学生,认为他能够改变人们对于非洲国家和人种的刻板想象。
453
2019
卢斯
主演:娜奥米·沃茨,奥克塔维亚·斯宾瑟,蒂姆·罗斯,小凯文·哈里森,诺尔贝特·里奥·布茨,玛莎·斯蒂芬妮·布莱克,亚斯特罗,克里斯托弗·曼恩,苏利芒·西尔·萨瓦内,阿曼达·特罗亚,费斯·洛根,Andrea Bang,Omar Brunson,Noah Gaynor,伊恩·安特曼,亚历克斯·佩雷斯
魔力
302
4.0
已完结
魔力
4.0
更新时间:04月11日
主演:张京,高建华,石一夫
简介:方咪咪与方甲甲姐弟俩在一个偶然的情况下被发现有特异功能。消息不胫而走,一时间,他们成了新闻人物。方家和学校从此忙碌起来,有的人要求甲甲、咪咪找一找祖上埋下的元宝;有的人请他俩去为患者透视看病;有的要他们去帮助破案;而学校的关校长却想利用他们去巴结领导从而得到的提拔。这时,华夏大学人体研究所的工作人员米兰提出要对他俩进行测试,以便带他们到北京参加特异功能研讨会……关校长为了讨好各方,不惜一女两嫁暗中得得,最终因为收受贿赂而受到了应有的惩处。在为外宾表演的专场中,咪咪和甲甲利用思维控制的功能使两位外宾情不自禁跳起了迪斯科,使中外宾客大饱眼福,世界特异功能表演大赛主持人查尔斯向姐弟俩发出了参赛邀请。自然之谜》杂志社总编胡梦龙和钱菲菲趁机以此为资本,办起了特异功能刊院,大雪骗取钱财。以满天飞和黄毛为道的流氓盗窃团伙。为了利用咪咪和甲甲帮助他们找到清代的稀世国宝,将姐弟俩劫持到一个地洞里。咪咪和甲甲不畏强暴、巧于周旋,最终在公安人员的配合下,利用自身的特异功能战胜了邪恶。胡梦龙被抓走;满天飞丧命;大疤脸和黄毛也被逮捕归案。姐弟俩幸福地回到了亲人的怀抱,随着科研人员米兰来到了北京。
1076
1988
魔力
主演:张京,高建华,石一夫
蒂尔
288
5.0
已完结
蒂尔
5.0
更新时间:04月11日
主演:丹妮尔·戴德怀勒,乌比·戈德堡,西恩·帕特里克·汤玛斯,海莉·贝内特,弗兰基·费森,埃德·阿玛特鲁多,罗杰·格午埃文·史密斯,杰米·劳森,凯文·卡罗尔,Jalyn Hall,托辛·科尔,约翰·道格拉斯·汤普森,乔希·文图拉,Brendan Patrick Connor,Gail Everett-Smith,肖恩·迈克尔·韦伯,蒂姆·韦尔,阿·米切尔,J.P. Edwards,瑞弗·休斯,恩杰玛·威廉姆斯,杰克逊·比尔斯,David Caprita,杰米·雷内尔
简介:故事讲述了美国黑人民权运动中的一桩真实事件,1955年,年仅14岁的埃米特·路易斯·蒂尔被指 责与一名白人妇女有不正当关系后,被绑架并被残忍地杀害。两名白人嫌疑人在全白人陪审团的审判下,被判无罪。埃米特的母亲玛米·蒂尔-莫布利(丹妮尔饰)为了帮儿子伸张正义,决定在埃米特的葬礼上敞开棺材,并让《Jet》杂志刊登自己儿子葬礼照片,她想让世界各地的人们知道她儿子的遭遇。随后成千上万的人看到了埃米特的照片,这也使得埃米特案成为了对南方黑人司法不公的象征。乌比饰演埃米特的祖母阿尔玛·卡尔坦。
3090
2022
蒂尔
主演:丹妮尔·戴德怀勒,乌比·戈德堡,西恩·帕特里克·汤玛斯,海莉·贝内特,弗兰基·费森,埃德·阿玛特鲁多,罗杰·格午埃文·史密斯,杰米·劳森,凯文·卡罗尔,Jalyn Hall,托辛·科尔,约翰·道格拉斯·汤普森,乔希·文图拉,Brendan Patrick Connor,Gail Everett-Smith,肖恩·迈克尔·韦伯,蒂姆·韦尔,阿·米切尔,J.P. Edwards,瑞弗·休斯,恩杰玛·威廉姆斯,杰克逊·比尔斯,David Caprita,杰米·雷内尔
不安
872
8.0
已完结
不安
8.0
更新时间:04月11日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
7216
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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