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欧洲的某个地方
479
6.0
已完结
欧洲的某个地方
6.0
更新时间:04月11日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
4608
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
追凶五十年
477
8.0
已完结
追凶五十年
8.0
更新时间:04月11日
主演:李梦男,郑强,张立,张建新,齐琦,刘雨哲
简介:1949年,解放军某卫生院队长高庆祥,受生命垂危的徐团长之托,去小山村接徐团长的女儿小燕(blog)。谁知在横岭镇,小燕突然失踪,后被人杀害,死时手中攥着一个糖猴,高庆祥痛不欲生。回到卫生院后,他在死不瞑目的徐团长面前庄重发誓:一定要抓住杀害小燕的凶手,为孩子报仇。当晚,高庆祥的婚礼也不欢而散。  两年后的肃反中,横岭镇抓获了一名血债累累的反革命分子张金华,嚣张地称小燕也是她杀害的。高庆祥赶到并在他家中搜出了吹糖人的工具,让他当面吹出糖猴。谁知在张金华被枪毙的第二天,又发生了和当年小燕一样的惨案,又一个女孩被先奸后杀。在案发现场也发现了一个糖猴,这个糖猴比张金华吹的更复杂,肚子里有糖稀,孩子们都叫它“猴拉稀”,只有吹糖猴的高手才能吹得出来。张金华的老婆和儿子小山找上门来,要求把案情弄清楚。  卫生队就要进城了,高庆祥却要求复员留在了横岭镇派出所,他要实现自己的誓言(听歌),抓住凶手,保证这一方山村的平安。但事隔久远,线索全无,二十年来破案无望,爱人无奈和他离了婚,高庆祥无怨无悔,始终盯着嫌疑人——疯疯傻傻的赵松林。  1972年,自以为逃过法网的嫌疑犯赵松林再次作案,用糖猴把女孩荆花骗上山,正要下手,幸亏高庆祥及时赶来。案犯赵松林仓皇出逃,高庆祥全国各地追寻。  转眼高庆祥已年国古稀,被送进养老院,对五十年无结果的追凶历程他百感交集,以为抓获凶手已成泡影,谁知听说养老院还有一个叫高庆祥的老人,他才发现这个和他同名同性的人,正是他找寻五十年的凶手赵松林。可此时已无人能证明赵松林的真实身份。高庆祥找来吹糖人的工具,引得赵松林吹出当年在犯罪现场多次出现的罪证——“猴拉稀”,高庆祥死死抓住赵松林的手腕,半个世纪的夙愿终于实现。
5600
2002
追凶五十年
主演:李梦男,郑强,张立,张建新,齐琦,刘雨哲
危楼愚夫
476
6.0
已完结
危楼愚夫
6.0
更新时间:04月11日
主演:阿尔焦姆·贝斯特罗夫,娜塔莉亚·苏尔科娃,尤里·楚里洛,鲍里斯·涅夫佐罗夫,基里尔·波卢欣,亚历山大·科尔舒诺夫,奥尔嘉·萨莫希纳,达里娅·莫罗兹,谢尔盖·阿尔齐巴舍夫,叶莲娜·维克托罗夫娜·帕诺娃,德米特里·库利奇科夫,伊利亚·伊萨耶夫,马克西姆·平斯克尔,柳博夫·鲁坚科,伊琳娜·尼兹纳,戈尔戴·科勃泽夫,彼得·巴兰切耶夫
简介:管道工接到报告说某个住满底层群众的筒子楼水管崩裂,去勘察时发现大楼豆腐渣工程即将在24小时内倒塌,于是通过母亲好友联系到女镇长,女镇长和手下考虑了自身利益,又经扶植女镇长上位的经济操手怂恿,大家决定放弃转移大楼中的820名住客并暗中杀害了两个头头当做替罪羊。  其中被杀的 负责建筑的头临死替管道工求了情,允许他闭嘴带着家人远走他乡,管道工心中良心未死,不听父母及妻子的劝告执意去救人……
5814
2014
危楼愚夫
主演:阿尔焦姆·贝斯特罗夫,娜塔莉亚·苏尔科娃,尤里·楚里洛,鲍里斯·涅夫佐罗夫,基里尔·波卢欣,亚历山大·科尔舒诺夫,奥尔嘉·萨莫希纳,达里娅·莫罗兹,谢尔盖·阿尔齐巴舍夫,叶莲娜·维克托罗夫娜·帕诺娃,德米特里·库利奇科夫,伊利亚·伊萨耶夫,马克西姆·平斯克尔,柳博夫·鲁坚科,伊琳娜·尼兹纳,戈尔戴·科勃泽夫,彼得·巴兰切耶夫
给我一个爸
475
7.0
已完结
给我一个爸
7.0
更新时间:04月11日
主演:兹旦内克·斯维拉克,安德列·查利蒙,利布谢·沙弗兰科娃,翁德雷·维特希,史黛拉·查娜克娃,拉吉斯拉夫·斯莫利亚克,伊琳娜·别兹鲁科娃,西尔维娅·苏瓦栁娃,莉利亚·马尔金,卡雷尔·黑勒曼克,佩特拉·斯贝尔克瓦,妮拉·布德芙,雷尼·普瑞比勒,米罗斯拉夫·塔博尔斯基,丝拉芙卡·布迪诺娃
简介:1988年的布拉格,大提琴手路卡(Zdenek Sverák 饰)丢掉了乐团的工作多时,只能靠为殡仪馆伴奏和修补墓碑为生。这位大龄单身汉在女人面前颇有魅力,他也乐此不疲,但困窘的生活让他不得不违背初衷,与一位苏联女子假结婚以获得报偿。婚后几日,苏联女子转道投奔西德,将五岁幼子科里亚(Andrei Chalimon 饰)丢给路卡抚养,路卡有一搭没一搭的用对方听不懂的捷克话向科里亚抱怨苏联人的霸道,同时还要应付警察对假结婚的追查以及敌视苏联人的母亲。路卡拜托多位女友照顾科里亚,这对父子也慢慢产生了对彼此的依赖,不久苏联政府要接回孩子,路卡趁着八十年代末混乱的形势,带着科里亚离家出走……  本片获1997年奥斯卡最佳外语片奖,1996年威尼斯电影节荣誉奖等十几项褒奖。
6818
1996
给我一个爸
主演:兹旦内克·斯维拉克,安德列·查利蒙,利布谢·沙弗兰科娃,翁德雷·维特希,史黛拉·查娜克娃,拉吉斯拉夫·斯莫利亚克,伊琳娜·别兹鲁科娃,西尔维娅·苏瓦栁娃,莉利亚·马尔金,卡雷尔·黑勒曼克,佩特拉·斯贝尔克瓦,妮拉·布德芙,雷尼·普瑞比勒,米罗斯拉夫·塔博尔斯基,丝拉芙卡·布迪诺娃
亲爱的伽利略
475
4.0
已完结
亲爱的伽利略
4.0
更新时间:04月11日
主演:楚缇玛·提潘娜特,札玲朋·尊克迪,雷·麦克唐纳,阿黛尔·海瑟·泰勒,塔妮雅·乌玛里楚蒂,塔纳恭·秦棍,汪撒孔·拉萨米塔特,吉拉瓦·瓦吉纳萨兰帕,Chamni Thipmanee,甘·纯郝哇
简介:泰国女孩小樱(楚缇玛•提潘娜特Chutima Teepanart 饰)和小棉(贾琳珀恩•朱凯特Jarinporn Jookiat 饰)是一对好友,出于不同的目的,两人决定结伴到欧洲修学旅行。身处他乡,两个女孩享受着异国的美好与新奇,并结交了形形色色的朋友,同时也经历着生存与奋斗的种种艰辛,忍受着孤独与思念家人的煎熬。在彼此的互相扶持下,小樱和小棉一路走过了伦敦、巴黎和威尼斯。在旅行中,单纯柔弱的小棉逐渐坚强,并从失恋的阴影中走了出来,个性强烈的小樱逐渐学会理解并包容他人,而她所拥有设计才华也逐渐被挖掘出来。  原本看似不会结束的旅行,却因为一场意外戛然而止,受牵连的小棉被遣送回国,小樱自责不已,担心小棉不肯原谅自己。最终,当小樱回到家乡,机场迎接她回国的亲友之间,会不会出现小棉的身影呢?
2748
2009
亲爱的伽利略
主演:楚缇玛·提潘娜特,札玲朋·尊克迪,雷·麦克唐纳,阿黛尔·海瑟·泰勒,塔妮雅·乌玛里楚蒂,塔纳恭·秦棍,汪撒孔·拉萨米塔特,吉拉瓦·瓦吉纳萨兰帕,Chamni Thipmanee,甘·纯郝哇
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